Thursday, September 8, 2016

Interactive Illustration: An Opportunity for Integrating Technical Communication Into Enterprise.

Abstract
In this article I describe an emerging landscape that supports an ecology made up of of freely available 3-D content, a software and hardware combination that provides access to this content for disparate groups of users ranging from highly skilled to general users, and a wide variety of authoring tools that allows those users to express this content in a wide variety of genre.

I also provide a case study showing how we are using rhetorical principles to implement web GL as queriable illustration.

Technical communication has been directly influenced by cultural developments that moved its practice. As Brockmann (1998) notes, in response to the rapid acceptance of the personal computer by the general public in the late 20th century, the emphasis of documentation shifted to “what readers need to know in order to perform the task rather than focusing on the internal workings of the tools used to perform the task – built on a tradition of American instruction manuals reaching back to at least the 1850s” (p. 378). The tradition described by Brockman, which focused on “task orientation” (p. 378) and the rapid development of the computer screen as an interface to technology, later gave way to Carroll’s (1998) “Minimalism,” an anti-intuitive style of “less is more” (p. 2) documentation, which fundamentally changed the established culture of practicing technical communicators. In addition to a shift in consumption, the well-established production techniques in workplace culture were also changed by the appearance of Postscript page description software, desktop publishing technology, and the Portable Document Format (PDF). These technological affordances shifted the professional culture by marginalizing craft workers such as typographers and production artists, who were bound by tradition and obsolete hardware, as it empowered other workers such as technical communicators who then became responsible for layout, design, and typography (O’Hara, 2001; Dicks, 2009) and thus became more involved with the techniques of visual expression. This continuing technological evolution now provides the opportunity for technical communication to expand its domain to include illustration.

Technology, like culture, continues to evolve. As it affords more capability to the practice of technical communication, the specific role of technical communicators in the creation of visual expressions, dependent as it is on its application, will continue to evolve. The process of evolution is often blurred by the passage of time, and as Finnegan (2004) has noted, a historical perspective will provide some clarity. The technical communication field continues to change and adapt to a shifting cultural landscape. During the last two decades of the 20th century, most computers and software shipped with a set of printed documentation. With the wide acceptance by the public of the Internet, web-based publishing, help files embedded into software, and the Portable Document Format (PDF), this practice of including physical manuals has all but disappeared, and technical communicators have struggled to accommodate and absorb these technological developments. Unfortunately, for those technical communicators who are accustomed to working with conventional printed manuals, cultural developments such as globalization, off-shoring, and open-source, user-generated content published on YouTube have created conditions of diminishing opportunity. For practitioners, these new management practices and distribution channels introduce challenges for our profession that are difficult to solve. One thing is certain for technical communication: change is inevitable, and to sustain our profession, we must find ways to accommodate these changes. Brumberger (2007) recognizes the evolving nature of technical communication in her observation that technical writers are now responsible for the creating of visual artifacts and incorporating them into visual compositions (p. 377). According to Johnson-Sheehan and Baehr (2001), “[n]ot only does new technology require us to do our jobs differently; it also urges us to think differently about the nature and use of texts” (p. 30). How can we, as technical communicators, learn from the symbiotic process demonstrated by cultural, commercial, and technological developments, and how can this evolving process be harnessed for the advancement of our profession?

As culture and technologies evolve, so too must the role of the technical communicator change. Johnson-Eilola, Selber, and Selfe (1999) consider it “crucial that technical communicators [… ] gain the ability to think critically, multiply, historically, and contextually about the way the computer technologies are developed and used within our culture and how such use, in turn, intersects with the practice of technical communication” (p. 198). Although they specifically address the use of the computer, the ubiquity of this technology in nearly all manufactured products, i.e. the “Internet of Things” (Ashton, 2009), suggests that in the future their recommendation could be applied to all products. In that spirit, practitioners of technical communication have developed strategies of finding ways to better embed and become integrated into the culture of the business enterprise they serve. Writing in the online publication, Tech Writer Today Magazine, Giordano (2011), has formally defined this process as “integrated technical communications (ITC) […] the coordination and integration of all technical communication processes, tools, functions, and sources within an organization to convey information and knowledge relevant to optimizing the users’ product experience.” According to Giordano’s (2011) model, the technical communicator becomes involved in the development and manufacturing of the product, its sales and marketing effort, and the continuing service relationship with the owner of the product. To become engaged in this integrative process, as suggested by Johnson-Sheehan and Baehr (2001) and Giordano (2011), technical communicators may have to enlarge their scope to include documents, which are not typically associated with our profession. Similarly, Longo (2000) notes we need to “look beyond technical communication textbooks and instead look to mass media to learn about cultural debates and issues that will modify our practices” (p. 168).